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Wednesday, May 20, 2020

Tides Shifting Across My Sitting Room Floor, by Anne Tannam

From Salmon Poetry Tides Shifting Across My Sitting Room Floor is Anne Tannam's second poetry collection (her third is imminent from Salmon too). A spoken word artist, Anne's work has widely featured in poetry journals in Ireland and abroad. She is an experienced and accredited creative writing coach and offers support to writers through her business Anne Tannam Creative Coaching. She is the poet in residence at this year's online Trim Poetry Festival.

Tides Shifting Across My Sitting Room Floor is a brilliant title for a collection of poetry, it immediately lures the reader into wanting to know more and it gives a sense of change in time and space. There is the notion that this will be no stagnant collection, you better buckle up and enjoy the ride. I did. I read the book from start to finish this morning in an hour and it was a thoroughly enjoyable experience. I felt the sea on my face reflecting an array of emotions. 

The title of the collection can be found in the closing lines of the first poem 'Airborne' in which the poet smells the sea on the wind, full of the fates. In her second poem Tannam considers what it means to be 'At Sea', to be middle-aged, to wonder what the meaning of life is, 'acknowledging the sadness/of continents and planets unexplored', and other women 'who speak of emptiness and longing'. Of course life is no scripted, existing-in-itself movie scene, and the grass is always greener.

In 'Thanksgiving' which I think I published in Boyne Berries, if not it's definitely a favourite piece, the poet bounces back in typical style to praise all the wonderful things in life, 'the small things that blue our horizon'. If you think poetry doesn't matter then read this poem if you are feeling down. It is a buoy. Tannam is again sailing, giving thanks 'for our ocean crossing'. And just what seas has she crossed?

I would recommend this collection to anyone who is grief stricken and especially to someone who has recently lost a parent. The poet's mother and father are lovingly recalled. In 'Mobile Library' she recalls how her father would 'perch his large frame/at the end of my bed/pull out books/hidden in coat pockets' offering a route to a wider world of imagination comparable to flying on a magic carpet. I do love Tannam's poems about her mother, how their relationship changed over time as the child became the adult. I had to chuckle when reading 'When We Go Shopping' as I can relate very much to the scenario of shopping with my own mother. 'Testament' is an ambitious and carefully executed poem chronicling the poet's love for and understanding of, her mother, 'sometimes the word mammy simply translates as love', she states.

Tides Shifting Across My Sitting Room Floor also takes on the perspective of now being a mother to her own children. Wisely she realises that 'Your Children Are Not Your Children', they grow up and begin their own lives. In 'Listen Here Australia!' Tannam trys to make a deal with the continent to return her child in a year, it's the stuff of fairytale. 'Final Addition'  describes the birth of a son, 'and there he is/breathing us in'.

As the title suggested this was going to be a bit of a roller coaster, and I am more refreshed for the spin in knowledge of the vitality of life when we become fully aware of it, 'of open, painful, joyful living'. This is poetry at its best, reflective, examining, lyrical, primitive and joyous. Tannam leaves us with a challenge in 'Rise'.

'Dare we let go/of all the things/we lost in the fire?'

Indeed, do we dare?


Tuesday, May 19, 2020

Growing Up in Colour, by Maurice Devitt


Maurice Devitt’s debut collection Growing Up in Colour was published by Doire Press in 2018. Maurice is the curator of The Irish Centre for Poetry Studies site. He was selected for Poetry Ireland Introduction Series 2016 and won the Trocaire/Poetry Ireland Competition. He is a member of Hiberian Writers. 

The titular poem explores the uniformity of school days 'lost in a sea of slate' made better by a dash of lipstick and the thrill of a first tattoo. The sacredness of family arises in 'A Football Dynasty' when a young boy discusses soccer with an older relative. Memories of early years arise in 'Truth or Dare' and 'A Caravan in Kilkee'. In both poems Devitt surprises with delicate imagery, 'a scarf of rain' spoils the dangerous game and the caravan is a 'metal cow'. These poems offer an almost surreal, or dreamlike atmosphere so it is no surprise to see that 'Sixteenth of September' is written after Rene Magritte. It is a poem about a run where 'The oak tree marks the mid-point'. Devitt dwells on Magritte's painting and its 'nascent moon'. 

'Sinister' is a wonderful poem about wanting to be left-handed and the wormhole of lying and being caught out as a child by their parent. The poet becomes a magician travelling down a rope ladder into the 'O' he has learned to form as citeog. This poem is a great lead into Devitt's well known 'The Lion Tamer Dreams of Office Work' where a lion tamer absurdly heads off to work in the office. 

Devitt is conscious of difficulties in the world about him, as reflected in 'Homeless', problematic global warming arises in 'Inuit' and the painful loss that can be emigration is explored in 'Letters from Australia'. The human condition plays on the poet's mind, the secrecies of our inner lives, in 'Trajectory' for example when a man retires and wonders what to do with his time, and indeed 'The Human Condition' is a poem that seeks 'to paint the past'.

This is a book that merits reading and rereading and each poem is well crafted, painting-like in the sense that something new can be found or seen on each looking. 'Poetry is painting that is felt rather than seen', a quote attributed to Leonardo da Vinci, could certainly be applied here. This is an intellectual and mature collection full of appreciation for culture and with a deep respect and love for family and the past. 

Saturday, May 16, 2020

Spoken Label Podcast

AndyN Spoken Label

I recorded a podcast with Manchester based poet AndyN, for his series Spoken Label. I had met Andy about a decade ago through a mutual friend. Andy was visiting Dublin at the time. In the podcast I speak a little about my poetry and read four poems. You can listen here.

Thursday, May 14, 2020

Villanelle


I'm a big fan of Killing Eve at the moment. One of the characters is called Villanelle and she's an assassin. I thought it would be cool to write a villanelle (poem) about Villanelle (the character). I'm also drawing her a bit (as above), just for fun.

“Keep your friends close…”
-          after Killing Eve

She said the paintings were very boring
whilst casing the ‘dam with “pal” Konstantin.
Keep your friends close and enemies closer.

The Corpses of the De Witt Brothers she
sent to Eve as a postcard valentine.
The other paintings had been very boring.

In Paris she broached a tentative “we”
and was stabbed, her bed the scene of the crime.
Keep your friends close, your enemies closer.

Never one to welcome orders, when he
told her to sit still, Peel ran out of line.
To her, such dead things were very boring.

Before the shooting in Rome they were free
to be together. She said, “You are mine!”
Keep your friends close and enemies closer.

Did she love or despise Eve Polastri?
Would this artful obsession prove sublime?
She found caricatures very boring,
knew to keep friends close, enemies closer.

Orla Fay



* the ‘dam refers to Amsterdam


Wednesday, May 13, 2020

Cyphers 89

Mermaid Crawl by DarkWorkX - Pixabay 

Thanks to editor Eiléan Ní Chuilleanáin for including my poem A Sea Spell in the latest issue of Cyphers Magazine. For anyone missing the sea the poem below is a combination of two sonnets about a trip to Greystones a couple of years ago.

A Sea Spell

Greystones, August 2018

On the journey to the coast we cut through
the hillsides, tunnels locked us in darkness
while the crescent of the bay grew and grew
as the train escaped its urban harness.
We had gone there seeking peace and healing,
desperate in the search for clarity
to find hushed lapping waves reassuring,
their rhythmic to and from – sanctuary.
I saw that the beach belonged to the birds,
to their curling, warbling wailing and song
and discovered open, widened wing-glides
and I too was free to breach in soaring.
I could have laid down on the sand, not stone,
nor shell, human, evolved, remembering.

Two girls walked the front. They stopped now and then
to look in the dunes for a certain kind
of fine weed, (eelgrass, wild oat or marram),
stooped search bagging a later labelled find.
We stood before the bewitching green sea,
shifting in its shade and always calling,
lulled under the enchantment of its spell,
its timelessness tempered by jagged rocks,
basalt paved inlets and coves siren swell,
the bobbing head of a seal the selkie,
mermaid, merman, the sun and the moon clocks,
forgetfulness in vision, in dreaming.
A dog’s distant bark jolted consciousness
as wraith-like water tightly embraced us.

            I found it hard to leave, still can’t let go.

Orla Fay





Tuesday, May 5, 2020

Boyne Berries 28 Launched

There will be time by Rory O'Sullivan

Boyne Berries 28 was launched on Poetry Ireland Day, 30th April. It was specially curated to mark this COVID era and its theme was "There will be time" as formulated by Poetry Ireland. The issue can be downloaded here.

Sadly, Eavan Boland passed away recently. A friend suggested I write a piece about her for an online journal called The Culture Review Mag. This can be read here. May she rest in peace.

Tuesday, April 14, 2020

Boyne Berries Covid Issue for Poetry Day Ireland

There will be time - Poetry Ireland

It is my pleasure to edit a special online issue of Boyne Berries, which will be available on Thursday, 30th April, to download for free as a PDF, for Poetry Day Ireland. The theme of Poetry Day this year is There will be time... Details of submission can be found on the Poetry Ireland website and on the Boyne Berries blog, link to the right of page. Thanks to everyone who has submitted already. I hope to start answering emails later today. The deadline is this coming Sunday, 19th April, at midnight. Thanks to Michael Farry who will be formatting this issue. The hashtag for this event will be #PoetryDayIrl