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Showing posts with label John Keats. Show all posts
Showing posts with label John Keats. Show all posts

Tuesday, February 23, 2021

Ode to a Nightingale, John Keats


Midsummer Eve Edward Robert Hughes 1908

Away! away! for I will fly to thee,
         Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
         Though the dull brain perplexes and retards:
Already with thee! tender is the night,
         And haply the Queen-Moon is on her throne,
                Cluster'd around by all her starry Fays;
                        But here there is no light,
         Save what from heaven is with the breezes blown
                Through verdurous glooms and winding mossy ways.

I couldn't let the day pass without revisiting my favourite John Keats poem, Ode to a Nightingale. It always makes me think of a beautiful summer night. Today marks the bicentenary of his death in 1821. He was only 25. In my chapbook I include a poem called John Keats' Ghost but here I'm going to add another he inspired, which appeared in Skylight 47



Monday, May 16, 2016

On the Sea



Sonnet. On The Sea

It keeps eternal whisperings around
Desolate shores, and with its mighty swell
Gluts twice ten thousand caverns, till the spell
Of Hecate leaves them their old shadowy sound.
Often 'tis in such gentle temper found
That scarcely will the very smallest shell
Be mov'd for days from whence it sometime fell,
When last the winds of heaven were unbound.
Oh ye! who have your eye-balls vex'd and tir'd,
Feast them upon the wideness of the Sea;
Oh ye! whose ears are dinn'd with uproar rude,
Or fed too much with cloying melody,--
Sit ye near some old cavern's mouth, and brood
Until ye start, as if the sea-nymphs quir'd!

John Keats

Sunday, July 31, 2011

On the Sea


I'm back from holidays and easing myself into the "back to business" frame of mind.  When you fall out of routine it takes concentration, focus and some self-belief to establish a stride again.

While away in the Algarve I was influenced by the sea and the sunshine.  One night I thought of Keats' poem On the Sea and vowed to look it up again when I got home.  I've six word documents open at the moment.  One is blank.  I hope I can fill it tonight.

On the Sea

It keeps eternal whisperings around
Desolate shores, and with its mighty swell
Gluts twice ten thousand Caverns, till the spell
Of Hecate leaves them their old shadowy sound.
Often 'tis in such gentle temper found,
That scarcely will the very smallest shell
Be moved for days from where it sometime fell.
When last the winds of Heaven were unbound.
Oh, ye! who have your eyeballs vexed and tired,
Feast them upon the wideness of the Sea;
Oh ye! whose ears are dinned with uproar rude,
Or fed too much with cloying melody---
Sit ye near some old Cavern's Mouth and brood,
Until ye start, as if the sea nymphs quired!

John Keats

1817



Monday, March 29, 2010

The Sonnet


Reading the Sonnet, Joseph Lorusso

I am having a love affair with the sonnet since the summer.  The Shakespearian follows the rhyming scheme of ab,ab,cd, cd, ef, ef, gg. The form consists of fourteen lines structured as three quatrains and a couplet. The third quatrain generally introduces an unexpected sharp thematic or imagistic "turn" called a volta. In Shakespeare's sonnets, the couplet usually summarizes the theme of the poem or introduces a fresh new look at the theme. The usual meter is iambic pentameter, which means five iambic feet, i.e., ten-syllable lines.

I admire John Keats' sonnet Bright star! would I were

Bright star! would I were steadfast as thou art—

Not in lone splendour hung aloft the night,

And watching, with eternal lids apart,

Like Nature’s patient sleepless Eremite,

The moving waters at their priestlike task

Of pure ablution round earth’s human shores,

Or gazing on the new soft fallen mask

Of snow upon the mountains and the moors—

No—yet still steadfast, still unchangeable,

Pillow’d upon my fair love’s ripening breast,

To feel for ever its soft fall and swell,

Awake for ever in a sweet unrest,

Still, still to hear her tender-taken breath,

And so live ever—or else swoon to death.

The word sonnet comes from the Italian word sonetto which means little song, cute!

The Italian or Petrarchan sonnet has the rhyming scheme abba, abba, cde, cde or abba, abba, cd, cd, cd or abba, abba, cd, cc, dc.  The Italian sonnets included two parts. First, the octave (two quatrains), which describe a problem, followed by a sestet (two tercets), which gives the resolution to it. Typically, the ninth line creates a "turn" or volta which signals the move from proposition to resolution.

Here Is A Wound That Never Will Heal, I Know

Here is a wound that never will heal, I know,

Being wrought not of a dearness and a death,

But of a love turned ashes and the breath

Gone out of beauty; never again will grow

The grass on that scarred acre, though I sow

Young seed there yearly and the sky bequeath

Its friendly weathers down, far Underneath

Shall be such bitterness of an old woe.

That April should be shattered by a gust,

That August should be levelled by a rain,

I can endure, and that the lifted dust

Of man should settle to the earth again;

But that a dream can die, will be a thrust

Between my ribs forever of hot pain.

Edna St. Vincent Millay


Below is an example of a modern sonnet by e e cummings.


i like my body when it is with your

i like my body when it is with your

body. It is so quite new a thing.

Muscles better and nerves more.

i like your body. i like what it does,

i like its hows. i like to feel the spine

of your body and its bones, and the trembling

-firm-smooth ness and which i will

again and again and again

kiss, i like kissing this and that of you,

i like, slowly stroking the, shocking fuzz

of your electric fur, and what-is-it comes

over parting flesh ... And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new

And finally there is Sonnet by The Verve http://www.youtube.com/watch?v=RiQgEn5ibYg