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Showing posts with label Poetry Town. Show all posts
Showing posts with label Poetry Town. Show all posts

Saturday, September 18, 2021

Dunshaughlin, Now and Again



Dunshaughlin, Now and Again

 

On Main Street, wide and welcoming, we walk,

engaged in daily routine, the buying of groceries,

a coffee-shop-stop, a commute to work on the 109,

M3 connecting once sleeping satellite to Dublin’s star.

 

These are the fine school days of Indian Summer

of the child’s treasure-trove leaves and blackberries,

of the teenager returned to uniform, a gangly swan

barely plumed learning to fly above shedding earth.

 

Queen Maeve of Tara arrives at harvest,

her skirt a moon-gown, from Kilmessan to Ratoath wide,

bodice cut of Slane, Navan and Trim,

a seasoned silk, a matrimony of now and then.

 

Peggy Murphy writes here of Derrickstown Hill,

while Tom Englishby crosses the Irish Sea in ballad,

the passage a lamentation for his Dunshaughlin,

a rowing back of black waters, a honeyed vision.

 

The bell of Patrick and Seachnall rings the Angelus,

day ending with clanging heard on the breeze

by Kings of Lagore tending crannóg stone, and wood

of home, Domhnach Seachlainn, a settled and holy place.

 

Foley’s Forge relays this din of heartbeats, anvil struck,

shoed horse clip-clopping from faded farms to mart,

and colourful years, green and gold banners,

Sam Maguire a boat on the crest of a wave.

 

Time ebbs and flows, ripples veined in villages and lore,

exhumed in the shadow of the famine land,

footstones raised like shields across the Boyne Valley

past Norman castles, Celtic Tiger, lingering pandemic.

 

Orla Fay


It's wonderful to share my poem written under commission by Poetry Ireland for Poetry Town 2021. A recording of the poem and other pieces performed for Poetry Town and Culture Night can be found on Meath County Council's Youtube Channel here

Congratulations to all the other artists and thanks again to Poetry Ireland, Meath County Council Arts Office and Meath Library Service for the opportunity. Thanks to Margaret McCann, local co-ordinator for Dunshaughlin Poetry Town, for her time and support. 




Sunday, September 5, 2021

Poetry Exploration and Critique Workshop

 

As part of Dunshaughlin Poetry Town laureateship I will be facilitating an online workshop on poetry exploration and critique. The event will take place on Thursday 16th September, from 7 pm to 9 pm. Tickets can be booked on Eventbrite, here.

Anyone with an interest in poetry, budding or more advanced, is invited to attend.

Later in the week I will unveil a list of 5 poems to be discussed during the workshop. 


Congratulations to the Meath Senior Ladies Gaelic football team who won the All Ireland today in some style, and were a joy to watch.

I heard on the radio earlier that it would have been Dolores O'Riordan's 50th birthday tomorrow so I've edited a poem I wrote in her memory, when she passed in 2018. 

RIP Sarah Harding of Girls Aloud too. 


Fade-out Bittersweet

IM Dolores O’Riordan, 1971-2018


The soul of Éireann

gathered as a storm on water

summoned to her voice,

released in a yearning of rain.

 

Flowers grew, imbued with

rock ‘n’ roll tie-dyed grace,

teenagers by stereos,

without mobiles or WIFI

 

before Celtic Tiger’s roar,

when life was new.

The first snow drop

reaches up on a day of death.

 

When stars shine am I looking on you?

Or are you looking on me?

Is this great divide of selves

a pool untouchable?

 

When I think of her going

it is the recoiling of the heart I fear,

the fading into nothingness of original song

when we cannot press repeat.

 

Orla Fay




Saturday, August 28, 2021

Poetry of Place

 

Tintern Abbey, JMW Turner, 1794

I'm very grateful to be able to spend time with my thoughts, a candle and the blog tonight. It's been a really warm, sunny day so the coolness of the night is most welcome as it slips in through the window with the light of some stars. I've been considering the poetry of place as I have been commissioned by Poetry Ireland to write a poem about Dunshaughlin as its Poetry Town Laureate. The poem is nearing completion thanks to a few dawn rises earlier in the week but I want to challenge myself to go just a little deeper, and further into context.

Nature and place have innately informed my work, be it the land as home, or the sea as something more alien or exotic. The county of Meath can hardly be removed from the ancient and its ruins, which continually try to tell their story. Ireland as an island has a sense of otherness, and connection with Great Britain, Europe and the rest of the World. A metaphor for emigration that has remained with me is that of a plant being uprooted and replanted in different soil. That plant must really want to survive. Roots, we must have our roots. Whole histories and cultures have been written on this attachment to the homeland; the transplantation of the African Amercican slave, penal colonies in Australia, the conquistadors, the empires of Europe, war. These sea-changes seem somewhat aberrations in hindsight, but what is mankind's nature but to explore and it should be the human quest to not lose the essence of goodness.

Heidegger posited that "...Poetically Man Dwells...", that creation and thought become a kind of building. He continues in an essay 

"But when there is still room left in today's dwelling for the poetic, and time is still set aside, what comes to pass is at best a preoccupation with aestheticizing, whether in writing or on the air. Poetry is either rejected as a frivolous mooning and vaporizing into the unknown, and a flight into dreamland, or is counted as a part of literature. And the validity of literature is assessed by the latest prevailing standard."

I would say that this is when poetry becomes an act of faith. To not have some kind of faith is to be too soon annihilated. Heidegger based some of his essay on a poem by Friedrich Holderlin called In Lovely Blue.

In any case these are some thoughts on place in poetry tonight. I am reminded of a project carried out by Maria Isakova Bennett for her Coast to Coast to Coast magazine. For the Aldeburgh issue poets connected through the element and space of water to join around the UK. This entwining of people and place through poetry is what makes Poetry Town such a special event. My poem from the Aldeburgh issue, below. 


Trim, The Banks of The Boyne, 28/07/19, 2 pm


Twenty years have passed since I bought this copy

of Wordsworth’s collected poems, 

a thick volume used in assignment. 

How the words of Tintern Abbey mean more to me now,

in their depths are rocks worn by the river of time.


- But the water asks me to not dwell

in looking on the turbulent, frothing current

the Oilliphéist bound for the even wilder ocean,

on muffled sirens calling me back – 


These sacred waters of home glisten,

golden-like pools collect by the banks, coil reeds and grasses.

Quiet cattle stoop to drink past the abbey where I have known

cormorants to rest. It is the heron who offers his wisdom today,

long-legged, once noted by F.R. Higgins in Father and Son.


Orla Fay


The Oilliphéist (from Irish oll, meaning 'great', and péist, meaning 'worm, fabulous beast, monster, reptile') is a dragon-like monster in Irish mythology. The Scottish Gaelic form is Uilepheist. – Wikipedia